![]() ![]() Pietatem: Cicero, the pre-eminent barrister of his day, cannot afford to "do a hatchet job" on his young and inexperienced opponent Atratinus for fear of losing the jurors' sympathy. This will titillate his hearers, get them onside and distract attention from the weaker aspects of the defence case. He intends to have a lot of fun at Clodia's expense. "A meretrix leading an army is flamboyantly ridiculous." (Geffcken 38) Make it your business to count the number of times Cicero uses meretrix and meretricius in this speech. In verse, metre, rhyme, alliteration, assonance, stanza patterns and refrains are all based on repetition. This is why many people find it hard to enjoy contemporary serious music: there is too little repetition and predictability. ![]() Hence popular songs and hymns have verses and repeated choruses. It is usually combined with variation, so that the end product is a pleasing combination of unity and variety. It arouses an expectancy that one looks to have satisfied. Indeed, repetition is a basic principle in all forms of artistic endeavour. For an amazing example in the Bible, read Psalm 136. The repetition provides emphasis and cohesion. nullam: The rhetorical device involving the constant repetition of a word or group of words is known as epanaphora. ![]() iubeat: The clauses in which these subjunctives occur are sub-oblique after audiat (10) iubeat: It is not fully clear which law Cicero means. (MBA 446-448)Ĭum audiat: subjunctive because the clause is causal as well as temporal. it forms part of the stranger's wondering. exerceatur: Further to Austin's note, the verb is subjunctive as the clause is sub-oblique, i.e. UQ - Classics and Ancient History: CL223 - Commentary 1-5 ![]()
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